During my childhood, I was quite crazy about painting and was eager to be a painter under the direct influences of my father and my eldest brother. Painting was the greatest pleasure in my life in those years and I am filled with happiness and satisfaction even today. At the age of sixteen, I was admitled to the Jingdezhen Ceramics Institute and studied sculpture. Since then, sculpture and ceramic art have become a part of life. I have been soulfully inspired by the teachings of teachers . the soul of ceramic art represented by Jingdezhen and the land breeding great traditional cultures and wisdom. With the development of the contemporary art in China, each artist has spared no efforts in his or her diligent explorations. By the end of 1980s, I started my research into the bottom of my heart, I have a heartfelt sense of to enjoy merging the ceramic art language into the national cultures.
    In my opinion, the cultural traditions of the nations and the spirit of arts are none other than the positive factors which influence the aesthetic activities to that such factors should be neither ignored, nor purposely exaggerated. In a silent