There appears an alienation between the traditional ceramic art and the contemporary one in regard of the form of spaces, which has already become both a natural reaction to the pluralism of cultures in the contemporary society and a reconsideration of the nature and values of the ceramics. As for ceramic artists, it seems to be more interesting to find something new purposely than to create anything in his process of working.
    The contemporary ceramic creation. as a matter of fact, is a subconscious game of collision between "clay" and "fire". Therefore, making of ceramics needs no preplanning. The "whole process" is no other than the best demonstration. It is very important that the artist have ease of mind when making ceramics.
    There is no bounds of exterior forms of expression which reflects the course of mind when a ceramic artist works with clay. It is not necessary for us to force clay, glazes and fires to act as expected. Instead, we should try to set up a good relationship with them and take good command of each favourable opportunity to turn them to advantage. This is what I have in my inner world when working with clay.

                                               March17,2003