The process of my work is the following one, about a metaphoric idea outlined from my point of view and my expression form.

I work in series of pieces that usually last from 2 to 5 years, and that they go evolving with the step of the time until becoming a new series, floor to make some drawings or scale models of the pieces go great format and work directly without previous drawing on the small pieces.

From the beginning of my work in 1965 .I have used the refractory earth to be the one that adapts to my way of working, up to 1981 I burned my pieces to low temperature 1100℃．1ater I fired to 1280℃, using fine enamels or slips and decorating the pieces with metallic oxides on the enamel or directly on the earth.

The cocions is oxidizers or reduction according to the interest of the piece, fired in electric oven or gas according to the size of the works and my personal interests.

The pieces floor to burn them in mono-coccion to high temperature, although later I usually return them to fire to different temperatures as many times as is necessary so that the piece had been finished.

According to that work floor, I add some recovered part of lead, material that adapts to the earth for their high great ductility, and that has a great tradition in the world of the ceramics.

The pieces go signed in the later part with my signature (MADOLA)and the year when I carried out.

The sizes of my works oscillate among the 30cm*15cm*10cm up to 180cm*60cm*70 cm, all are pieces made by hand by myself in my study of Premia of Dalt.

I also work in works for public spaces, and it is in this case that I use my study to make all the scale models, the samples and projects for this realization. The execution of the work is carries out in specialized shops or in manufacture ceramic factories where it foresaw agreement so I can carry out my work to great scale.

For the work in public spaces I also use industrial products which I manipulate or I change the color, also 1 work with the levels of the University, such as the case of the Polytechnic of Manchester.

In conclusion, this is my work process that I use to express a feeling through the mud, through which I am good to express my ideas and my expression form.